“Breakthrough” global blockbusters like Black Panther (2018) and Crazy Rich Asians (2018) create disturbances among critics and firms forced to wonder if such ripples of diversity will become waves of new cinema wiping out the hegemony of Hollywood and the global West. In this essay, we establish the context for this phenomenon in terms of film’s historical relationship to marketing. Through this context, we theorize a transnational aesthetic for global blockbusters, one that may serve to limit ripples of diversity, breaking waves of change against the rocks of a banal cinema of Americanized nothingness.
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Reyes, Ian and Wyatt, Justin
"On the Banality of Transnational Film,"
Markets, Globalization & Development Review:
3, Article 2.
Available at: https://digitalcommons.uri.edu/mgdr/vol4/iss3/2