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Abstract

Amidst battles for Covid-19 vaccine mandates and accessibility, media coverage of judicial proceedings stemming from state-sanctioned racialized violence, and the exacerbation of gendered workplace/space inequality via a new virtual reality, the year 2021 marks yet another conflict over the legality of abortion in the United States, with conservative Supreme Court justices aiming to walk back the legalization of a woman’s constitutional right to terminate pregnancy as per Roe v. Wade. Through an exploration of the historical record in conjunction with Zora Neale Hurston’s Their Eyes Were Watching God and Gloria Naylor’s Mama Day, signifiers of what Marilyn Motz calls “fugitive knowledge” reveal how women have historically utilized the natural environment as a means of reproductive agency and body autonomy.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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