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Abstract

This paper argues that home altars are archives. I consider the history of altars within Chicana community practices; political, and feminist critique of both patriarchal nationalism; and the role of the altar in challenging the public and private divide defined by nationalist discourses of the US and Aztlan. Furthermore, I use Amalia Mesa-Bains’s altar installation The Library of Sor Juana Inez de la Cruz to consider how altars are spaces of feminist queer memory-making and resistance against colonial logics.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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