Submissions from 2023
Introduction: Reconcilable differences, Megan M. Echevarría
Rehumanizing the language curriculum, Megan M. Echevarría
Scaffolding literature education in communicative and intercultural context, Megan M. Echevarría
Introduction: On the sweep of American independent film histories, W. D. Phillips and Justin Wyatt
Coline Serreau (1947-), Jenny Platz
Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to Bandersnatch, Rebecca Fine Romanow
One from The Heart (1982), Justin Wyatt
THE VIRGIN SUICIDESTHE CINEMATIC STYLE OF LOSS: SOFIA COPPOLA’S THE VIRGIN SUICIDES, Justin Wyatt
Screening American independent film, Justin Wyatt and W. D. Phillips
Submissions from 2022
Assisted self-assessment to optimize the OPIc test experience, Le Anne L. Spino, Megan M. Echevarría, and Yu Wu
Capital Fictions in the Age of Fictitious Capital, Ryan Trimm
Submissions from 2021
Appreciating the Costs and Benefits of Media Market Research in the Digital Era, Justin Wyatt
Submissions from 2020
Pro ana and mia blogs, and care of the self, Jenny Platz
Replica Britannia: heritage as postmodern industry in Downriver and England, England, Ryan Trimm
United artists, fourth quarter 1980 The rhetoric of Hollywood failure and success, Justin Wyatt
Submissions from 2018
A comparative analysis of two online videoconferencing initiatives for conversational practice with native speakers, Megan Mercedes Echevarría
Spirits in the Material World: Spectral Worlding in David Mitchell’s Ghostwritten and Cloud Atlas, Ryan Trimm
BRIDGING COMMERCE AND CLASSIFICATION THROUGH THE AMERICAN A RT FILM: THE CASE OF WHO’S AFRAID OF VIRGINIA WOOLF? (1966), Justin Wyatt
The virgin suicides: Reverie, sorrow and young love, Justin Wyatt
Submissions from 2017
Heritage as trope: conceptual etymologies and alternative trajectories, Ryan Trimm
Submissions from 2014
The agitating power of nonviolent cool in "going to meet the man", Beazley Kanost
Submissions from 2013
Maghrebi-French Women in French Téléfilms: Sexuality, Gender, and Tradition from Leïla née en France (1993) to Aïcha: Vacances Infernales (2012), Leslie Kealhofer-Kemp
Mothers, Daughters, and the Transmission of Memory in Documentaries Directed by Women of Maghrebi Origin in France, Leslie Kealhofer-Kemp